Tour Tempo: Golfs Last Secret Finally Revealed by John Garrity - Good tool but the theory is identical to another from 1962 in "Four Magic Moves To Winning Golf"

As an avid golfer and inventor, John Novosel studied films of the PGA greats, searching, along with countless others over the last century, for the key to what made certain golfers swings so effortless, artful, and effective. Viewing the films, Novosel made a startling discovery. Nearly every champion demonstrated identical timing in their swings. An extensive review of archival footage of the greats throughout confirmed his findings. From Ben Hogan to Tiger Woods, whether the swings were fast or slow, the winning rhythm remained constant.

In this breakthrough book, Novosel and Sports Illustrated writer John Garrity lay out exactly how to achieve this tour tempo. Enhanced with photographs and illustrations, this clear, step-by-step method teaches golfers how to resynchronize their swings and play like a pro. An accompanying CD-ROM vividly illustrates the full swing sequence and features a calibrated soundtrack that readers can use while practicing at a driving range or in their backyards.

Novosels teaching technique has resulted in tremendous and rapid improvement for players of all levels. In a world of gimmicky, quick-sell golf instructionals, TOUR TEMPO is the real thing.

Good tool but the theory is identical to another from 1962 in "Four Magic Moves To Winning Golf"
Tour tempo is a great tool to improve timing, rhythm and tempo which will help many players. But this theory is not new. The first reference I have found to these concepts appeared basically in the book "The Four Magic Moves to Winning Golf" by Joe Dante (1962) pages 158-159 , a great book that I strongly recommend, and from which I have extracted some sentences to view my point: "The rhythm in the swing of a good player is noticed because of a measured cadence in the upward and downward movement of the club. In his swing there appears to be - and there is - a definite relationship in time between his backswing and his downswing. ... These two segments of the swing can be accurately timed by a motion-picture camera, by the simple process of counting the number of pictures the camera takes during each segment. Such a count shows that the backswing of a good player takes almost twice as long as the downswing. This two-to-one ratio is the rhythm of the swing. The total time or tempo of the swing will vary with different good players, but the ratio or rhythm will not. Nor will it vary from club to club. The ratio will be the same for the 8 iron as it is for the driver. The tempo of the swing will not change, either, for the individual player. ... Developing a rhythmic swing promotes better timing (Timing means regulating the speed of the club head so as to cause it to reach its maximum as it hits the ball), ... and also helps to strive the ball in the exact center of the club face."

In case of Tour Tempo this ratio is established in three-to-one . Sam Snead said: "I used my music to help me maintain my swing's rhythm . For me, waltz time, or 3/4 time, was perfect for the correct swing tempo." Ernest Jones also suggested to use the waltz music to help creating the appropriate swing's rhythm.

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