Saturday, November 28, 2009

Doctor Faustus (Signet Classics) by Christopher Marlowe - Marlowes Masterpiece.

New Mermaids are modernized and fully-annotated editions of classic English plays. Each volume includes:

• The playtext, in modern spelling, edited to the highest bibliographical and textual standards
• Textual notes recording significant changes to the copytext and variant readings
• Glossing notes explaining obscure words and word-play
• Critical, contextual and staging notes
• Photographs of productions where applicable
• A full introduction which provides a critical account of the play, the staging conventions of the time and recent stage history; discusses authorship, date, sources and the text; and gives guidance for further reading.

Edited and updated by leading scholars and printed in a clear, easy-to-use format, New Mermaids offer invaluable guidance for actor, student, and theatre-goer alike.

Marlowes Masterpiece.
If you saw Shakespeare In Love, you know this was the play of Marlowes that was getting so much attention. (For that matter, I found this play better than Romeo and Juliet, even though Romeo and Juliet was to become the big play at the climactic moment.) Moving on, we meet Dr. Faustus, and he decides that the legitimate knowledge of this world is not good enough. So, he decides to cross the line of this far and no further by making an unholy deal. It is interesting that even Mephistophilis (the unholy agent of the devil) is drawn as a figure of sorrow and even tries to warn Faustus about what he is getting himself into. But Faustus is unreceptive to the truth and ignores Mephistophiliss warning. In a scene of shocking horror, Faustus even mocks Mephistophilis for trying to warn him of the dangers involved: Learn thou of Faustus manly fortitude (1.3.85). Faustus makes an unholy pact and sells his soul for books that will offer knowledge beyond the point of this far and no further, as well as significant magical powers. It is interesting that even after Faustus makes the pact, he is presented with several opportunities to escape his fate. But he can not give up the fruits of the pact. (His powers, having Mephistophilis at his command, etc.) Later, we see meet the 7 deadly sins. And Faustuss delight at them shows us his degeneration. In the 3rd and 4th acts, Faustus seems to let go of his quest for knowledge (for the most part) and indulges in practical jokes of an evil nature. There are some who feel that the 3rd and 4th acts are way too silly and that they drag the play down. But, I dont think this is the case at all. I can not help but think that Marlowe was emphasizing how worthless the fruits of the pact really were. (Nothing we could ask the devil for could equal the soul which Christ gave us.) Furthermore, in my opinion, we shouldnt be so surprised at Faustuss degeneration. He has made a pact with evil, and evil is basically degeneration through the service of ones self, depite how amoral and sick that service may be. It is our good side that encourages us to better ourselves, hopefully at least in part for the sake of others. The 5th act begins, and Faustus has one final chance to avoid his fate, but he resigns himself to damnation if he can enjoy Helen of Troy. If I were a betting man, I would bet that Marlowe is emphasizing that sex often overrides our rational thoughts. (How many romance plays seem to defy reason?) The final scene where Faustus realizes that it is too late and hell awaits, is a scene of pure terror almost unparalled in literature. He moves from requests that can not be granted to the most imaginative escapes. The play ends with an appropriate warning to stay behind the line of this far and no further.

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