This new edition uses the first edition text and includes a new chronology and bibliography.
A page-turner, possibly Conrad's only
This is a good one. Of Conrad's novels, only the equally fascinating (albeit tougher going) Chance is more maligned. But Victory, which is not a great deal less audacious than the earlier proto-modernist illuminations of Nostromo and Lord Jim, is also Conrad's leanest, most titillating and romantic fiction, an extrapolation and mythic abstraction of the latter half of Lord Jim. The broad strokes of the abstraction conceal a considerable blackening of Conrad's heart since the early masterpieces: there are shades of The Waste Land in this Paradise. This is, after all, the only Conrad novel in which anyone has sex - and yet it is also the Conrad novel with the bleakest ending.
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